The sublime in a man-alterate landscape

Alessandra Di Ronza
Submission
June 23, 2020
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In today's world, the illusion persists that we are hosts while Nature is our guest. Yet, we are mere guests in her realm. Nature resiliently withstands our interventions, prompting existential questions. The sublime, prevalent in the eighteenth century, evoked profound contemplation among painters about their significance before Nature's grandeur. In this project, the sublime poses similar queries: What are the repercussions of our actions? Does Nature have limits? How awe-inspiring is Nature, defying our interventions? Employing infrared film, I capture the unnoticed, using it to express my inner feelings and underline the "Equivalents" concept. I subconsciously parallel my struggles with Nature's resistance against human desire for domestication. It reflects my fight for freedom in a rigid society. Through this exploration, I unravel the enigma of existence, provoking introspection. Let's acknowledge our place as guests, where Nature's resilience continues to inspire and challenge us.

About
Alessandra Di Ronza is an Italian photographer based in the UK, whose work is dedicated to capturing the beauty and fragility of the natural world, with a particular focus on environmental issues and raising awareness about pollution. In her recent projects, she has turned her attention to the issue of micro-plastic pollution in domestic environments.
Through her lens, Alessandra conveys the struggles of nature and the impact of human behaviour on the planet, inviting viewers to reflect on their own role in the environment and how their actions impact the planet.
Alessandra Di Ronza
Submission
June 23, 2020
Save
Unsave
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