I use several mediums such as photography, film and drawing, interweaving techniques of experimentation. In this perspective, the polaroid film is fascinating because it can easily be deconstructed and hybridized. I thus try to take the medium out of its conventional use. Collage, emulsion lift and brush printing are all techniques that I like to give substance to my ideas. I also work with 120, 110, 35mm and Super 8 film. The question of the ecological impact of artistic production is central to my work. Thus, the two milestones that frame each of my projects are the production management and the direction of the material, often second hand. This framework encourages me to accept installing the creation in the duration. The uncertainty brought by the manual processes and the expired films is an impulse for creation. I adapt to the versatility of the supports. Sensitized in my university studies to the methods of choreographic creation by the hazard, I grant to it a real place in my work. The creation of my work becomes a game of exchange between ideas and material.