In 2013, after a few years working as a commercial photographer and spending long hours in front of the computer retouching images, often ending up with a backache, I started practising yoga and decided to leave London searching for a “reality that does not need retouching”. Before the journey, I received a providential gift from a stranger: a bag full of expired film rolls that I took with my analogue camera to Italy, India, and Bali. During this trip, I instinctively started to shoot multiple exposure images, feeling a deep sense of liberation arising from overlapping different perspectives on the same film frame. Thus, the series Eyescapes was spontaneously born. The inner conflict that I experienced in my personal life, growing up between two opposite realities, the Romanian communist and the Italian capitalist ones, without feeling entirely at home in any of them, experiencing a constant feeling of unsettledness and desire to escape, finds resolution in my work through the creation of a third visual reality that synthesizes my conclusions of what is good of two or more different perspectives. Seeing the images after the film was developed, I realized that I shot these photographs in the moments when I was feeling overwhelmed by the beauty of the place I was in and in which I was trying to anchor myself forever, somehow “boxing” myself between the layers containing the main details that would attract my attention in those specific moments. By looking outside through the camera lens, I saw my inner world, found peace and realized that for me, home is where there is time to seek and contemplate the beauty arising from overlapping different perspectives.