In almost every piece of landscape art, human emotions are projected onto nature. However, nature does not experience emotions as we do and attributing emotions to landscape stems from the need to humanise everything around us, in order to understand what is beyond our imagination.
I'm trying to capture the landscape as is. Photography could provide a solution if the experience of landscape would differ from the photographic (read geometric) registration. I am attempting to correct this difference. I create what I experience or what one could experience when one is part of the landscape. I also play with the apparent chaos of nature. It's all about perception.
In almost every piece of landscape art, human emotions are projected onto nature. However, nature does not experience emotions as we do and attributing emotions to landscape stems from the need to humanise everything around us, in order to understand what is beyond our imagination.
I'm trying to capture the landscape as is. Photography could provide a solution if the experience of landscape would differ from the photographic (read geometric) registration. I am attempting to correct this difference. I create what I experience or what one could experience when one is part of the landscape. I also play with the apparent chaos of nature. It's all about perception.
In almost every piece of landscape art, human emotions are projected onto nature. However, nature does not experience emotions as we do and attributing emotions to landscape stems from the need to humanise everything around us, in order to understand what is beyond our imagination.
I'm trying to capture the landscape as is. Photography could provide a solution if the experience of landscape would differ from the photographic (read geometric) registration. I am attempting to correct this difference. I create what I experience or what one could experience when one is part of the landscape. I also play with the apparent chaos of nature. It's all about perception.