Returning to Beirut

The exhibition "Returning to Beirut" presents four photographic missions in Beirut

Words by  

Press Release, Christian Caujolle

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© Gabriele Basilico | Beirut

The Italian photographer Gabriele Basilico (1944-2013) is considered one of the most important documentary photographers. For almost forty years, he looked at cities around the world and developed a reflection on landscape photography. The exhibition "Returning to Beirut", which presents for the first time the four photographic missions carried out in 1991, 2003, 2008 and 2011, documents the gradual reconstruction of the city and bears witness to the photographer's great affection for the Lebanese capital.

© Gabriele Basilico | Beirut

© Gabriele Basilico | Beirut

© Gabriele Basilico | Beirut

In 1991, on the initiative of the Lebanese writer Dominique Eddé, the Hariri Foundation financed a documentary campaign on the city centre of Beirut, which had been virtually destroyed after fifteen years of civil war. Gabriele Basilico, René Burri, Raymond Depardon, Fouad Elkoury, Robert Frank and Josef Koudelka freely participated. The result was a book and an exhibition that have become landmarks.
Gabriele Basilico liked clear, structured, closed projects, and he hardly ever retraced his steps. Beirut was a notable exception for him, as he visited four times, photographed there in black and white and in colour, and even exhibited part of his photographic investigation there. He had planned to publish a book of all his four trips, but he never got around to it. It is, therefore, the first time that this work is shown in its entirety and that, on this occasion, Contrasto Editions is publishing the reference work. In this visual investigation, which has developed over twenty years, we find the characteristic and rigorous approach of the former architecture student. A permanent reflection on the meaning of frontality and angles of view, a desire to decipher urban space and make it readable. Gabriele Basilico was not a war photographer, and he did not know, at first, how to approach the destruction of the centre of the Lebanese capital. After the observation and direct confrontation with the ruin, he decided to follow the reconstruction process. A form of optimism.

© Gabriele Basilico | Beirut
© Gabriele Basilico | Beirut
© Gabriele Basilico | Beirut

Galerie le Château d’Eau
Toulouse, France
February 1, 2023  | May 14, 2023

books
I listen to your heart, city
INTERCITY
Cityscapes

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Returning to Beirut

The exhibition "Returning to Beirut" presents four photographic missions in Beirut

Words by  

Press Release, Christian Caujolle

Save
Unsave
The exhibition "Returning to Beirut" presents four photographic missions in Beirut
© Gabriele Basilico | Beirut

The Italian photographer Gabriele Basilico (1944-2013) is considered one of the most important documentary photographers. For almost forty years, he looked at cities around the world and developed a reflection on landscape photography. The exhibition "Returning to Beirut", which presents for the first time the four photographic missions carried out in 1991, 2003, 2008 and 2011, documents the gradual reconstruction of the city and bears witness to the photographer's great affection for the Lebanese capital.

© Gabriele Basilico | Beirut

© Gabriele Basilico | Beirut

© Gabriele Basilico | Beirut

In 1991, on the initiative of the Lebanese writer Dominique Eddé, the Hariri Foundation financed a documentary campaign on the city centre of Beirut, which had been virtually destroyed after fifteen years of civil war. Gabriele Basilico, René Burri, Raymond Depardon, Fouad Elkoury, Robert Frank and Josef Koudelka freely participated. The result was a book and an exhibition that have become landmarks.
Gabriele Basilico liked clear, structured, closed projects, and he hardly ever retraced his steps. Beirut was a notable exception for him, as he visited four times, photographed there in black and white and in colour, and even exhibited part of his photographic investigation there. He had planned to publish a book of all his four trips, but he never got around to it. It is, therefore, the first time that this work is shown in its entirety and that, on this occasion, Contrasto Editions is publishing the reference work. In this visual investigation, which has developed over twenty years, we find the characteristic and rigorous approach of the former architecture student. A permanent reflection on the meaning of frontality and angles of view, a desire to decipher urban space and make it readable. Gabriele Basilico was not a war photographer, and he did not know, at first, how to approach the destruction of the centre of the Lebanese capital. After the observation and direct confrontation with the ruin, he decided to follow the reconstruction process. A form of optimism.

© Gabriele Basilico | Beirut
© Gabriele Basilico | Beirut
© Gabriele Basilico | Beirut

Galerie le Château d’Eau
Toulouse, France
February 1, 2023  | May 14, 2023

books
I listen to your heart, city
INTERCITY
Cityscapes
Save
Unsave

Returning to Beirut

The exhibition "Returning to Beirut" presents four photographic missions in Beirut

Words by

Press Release, Christian Caujolle

Returning to Beirut
© Gabriele Basilico | Beirut

The Italian photographer Gabriele Basilico (1944-2013) is considered one of the most important documentary photographers. For almost forty years, he looked at cities around the world and developed a reflection on landscape photography. The exhibition "Returning to Beirut", which presents for the first time the four photographic missions carried out in 1991, 2003, 2008 and 2011, documents the gradual reconstruction of the city and bears witness to the photographer's great affection for the Lebanese capital.

© Gabriele Basilico | Beirut

© Gabriele Basilico | Beirut

© Gabriele Basilico | Beirut

In 1991, on the initiative of the Lebanese writer Dominique Eddé, the Hariri Foundation financed a documentary campaign on the city centre of Beirut, which had been virtually destroyed after fifteen years of civil war. Gabriele Basilico, René Burri, Raymond Depardon, Fouad Elkoury, Robert Frank and Josef Koudelka freely participated. The result was a book and an exhibition that have become landmarks.
Gabriele Basilico liked clear, structured, closed projects, and he hardly ever retraced his steps. Beirut was a notable exception for him, as he visited four times, photographed there in black and white and in colour, and even exhibited part of his photographic investigation there. He had planned to publish a book of all his four trips, but he never got around to it. It is, therefore, the first time that this work is shown in its entirety and that, on this occasion, Contrasto Editions is publishing the reference work. In this visual investigation, which has developed over twenty years, we find the characteristic and rigorous approach of the former architecture student. A permanent reflection on the meaning of frontality and angles of view, a desire to decipher urban space and make it readable. Gabriele Basilico was not a war photographer, and he did not know, at first, how to approach the destruction of the centre of the Lebanese capital. After the observation and direct confrontation with the ruin, he decided to follow the reconstruction process. A form of optimism.

© Gabriele Basilico | Beirut
© Gabriele Basilico | Beirut
© Gabriele Basilico | Beirut

Galerie le Château d’Eau
Toulouse, France
February 1, 2023  | May 14, 2023

books
I listen to your heart, city
INTERCITY
Cityscapes
Save
Unsave
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