“René Burri was always driven by an irrepressible zest for life and a thirst for discovering the universe, but especially by an acute awareness of the ebb and flow of things, a tenacious desire to understand the workings of the world, and the certainty of then being able to share his experiences and his analyses with his peers. Two parallel approaches can be distinguished in René Burri: on the one hand the composition, the structure and the visual impact are of indisputable economy, precision and legibility, conferring on his work a symbolic character, universal and almost eternal; on the other, each sign, each shape, each frame within the image confers an original and personal perspective on what is portrayed. The uniqueness of Burri’s visual universe, whether in response to a commission or for more personal work, whether in black-and-white or in colour, is founded on the complementarity between these two approaches, their superposition and their osmosis, perhaps. His photographs also hold the page or the picture rails of a gallery like no others and have the unique power to reveal each situation to us in a single photogram.”
Marc Donnadieu
Co-curator with Mélanie Bétrisey of the exhibition at the Musée de l’Elysée, Lausanne (excerpt from the catalogue “René Burri, Explosion of Sight”, Musée de l’Elysée Lausanne/Scheidegger & Spiess)
“After I left the photography class, in which all we did was photograph coffee cups under the light, I had to chase after my images. How to position the device when everything was moving? When people walked, when everything galloped in front of me? I shouted at them to Stay still! This lasted until I started moving myself, until I managed to swim with the tide. Then, when I did manage it, the action was taking place on the other side of the street! Snaps are like taxis in the rush hour – if one isn’t fast enough, someone else will get them first.”
-René Burri
René Burri (1933-2014, Ch)
René Burri studied at the School of Applied Arts in his native city of Zurich, Switzerland. From 1953 to 1955 he worked as a documentary film-maker and began to use a Leica while doing his military service. Burri became an associate of Magnum in 1955 and received international attention for one of his first reportages, on deaf-mute children, «Touch of Music for the Deaf», published in Life magazine.
In 1956 he traveled throughout Europe and the Middle East, and then went to Latin America, where he made a series on the gauchos that was published by Du magazine in 1959. It was also for this Swiss periodical that he photographed artists such as Picasso, Giacometti and Le Corbusier. He became a full member of Magnum in 1959, and started work on his book Die Deutschen, published in Switzerland in 1962, and by Robert Delpire the following year with the title Les Allemands. In 1963, while working in Cuba, he photographed Ernesto ‚Che‘ Guevara during an interview by an American journalist. His images of the famous revolutionary with his cigar appeared around the world. Burri participated in the creation of Magnum Films in 1965, and afterwards spent six months in China, where he made the film The Two Faces of China produced by the BBC. He opened the Magnum Gallery in Paris in 1962, while continuing his activities as a photographer; at the same time he made collages and drawings.
In 1998 Burri won the Dr Erich Salomon Prize from the German Association of Photography. A big retrospective of his work was held in 2004-2005 at the Maison Européenne de la Photographie in Paris and toured many other European museums.In 2011 René Burri receives the Swiss Press Photo award in the Lifetime Achievement category at Berne (Switzerland). In 2013 René Burri rediscovers his colour photos. He puts a new selection of colour photos together for”Impossible Reminiscences” (Phaidon, 2013) and his exhibition “René Burri – Doppelleben” (René Burri – Double Life) which will be presented at the Museum für Gestaltung in Zurich and the OstLicht Gallery in Vienna the following year.
In July 2013 René Burri establishes his own foundation in Switzerland. It is now housed in the Musée de l’Elysée in Lausanne. In September 2014, René Burri opens his last exhibition, “Mouvement” in Paris, at the Maison Européenne de la Photographie. It features a large number of unpublished photos for which he creates triptychs in black-and-white and colour, around the ‘image-movement’ theme. René Burri passed away at the age of 81 on October, 2014.
Under the curatorship of Marc Donnadieu and Mélanie Bétrisey, the Musée de l‘Elysée offers, from January to May 2020, a new retrospective of all of his work entitled „René Burri, the explosion of sight“.
“René Burri was always driven by an irrepressible zest for life and a thirst for discovering the universe, but especially by an acute awareness of the ebb and flow of things, a tenacious desire to understand the workings of the world, and the certainty of then being able to share his experiences and his analyses with his peers. Two parallel approaches can be distinguished in René Burri: on the one hand the composition, the structure and the visual impact are of indisputable economy, precision and legibility, conferring on his work a symbolic character, universal and almost eternal; on the other, each sign, each shape, each frame within the image confers an original and personal perspective on what is portrayed. The uniqueness of Burri’s visual universe, whether in response to a commission or for more personal work, whether in black-and-white or in colour, is founded on the complementarity between these two approaches, their superposition and their osmosis, perhaps. His photographs also hold the page or the picture rails of a gallery like no others and have the unique power to reveal each situation to us in a single photogram.”
Marc Donnadieu
Co-curator with Mélanie Bétrisey of the exhibition at the Musée de l’Elysée, Lausanne (excerpt from the catalogue “René Burri, Explosion of Sight”, Musée de l’Elysée Lausanne/Scheidegger & Spiess)
“After I left the photography class, in which all we did was photograph coffee cups under the light, I had to chase after my images. How to position the device when everything was moving? When people walked, when everything galloped in front of me? I shouted at them to Stay still! This lasted until I started moving myself, until I managed to swim with the tide. Then, when I did manage it, the action was taking place on the other side of the street! Snaps are like taxis in the rush hour – if one isn’t fast enough, someone else will get them first.”
-René Burri
René Burri (1933-2014, Ch)
René Burri studied at the School of Applied Arts in his native city of Zurich, Switzerland. From 1953 to 1955 he worked as a documentary film-maker and began to use a Leica while doing his military service. Burri became an associate of Magnum in 1955 and received international attention for one of his first reportages, on deaf-mute children, «Touch of Music for the Deaf», published in Life magazine.
In 1956 he traveled throughout Europe and the Middle East, and then went to Latin America, where he made a series on the gauchos that was published by Du magazine in 1959. It was also for this Swiss periodical that he photographed artists such as Picasso, Giacometti and Le Corbusier. He became a full member of Magnum in 1959, and started work on his book Die Deutschen, published in Switzerland in 1962, and by Robert Delpire the following year with the title Les Allemands. In 1963, while working in Cuba, he photographed Ernesto ‚Che‘ Guevara during an interview by an American journalist. His images of the famous revolutionary with his cigar appeared around the world. Burri participated in the creation of Magnum Films in 1965, and afterwards spent six months in China, where he made the film The Two Faces of China produced by the BBC. He opened the Magnum Gallery in Paris in 1962, while continuing his activities as a photographer; at the same time he made collages and drawings.
In 1998 Burri won the Dr Erich Salomon Prize from the German Association of Photography. A big retrospective of his work was held in 2004-2005 at the Maison Européenne de la Photographie in Paris and toured many other European museums.In 2011 René Burri receives the Swiss Press Photo award in the Lifetime Achievement category at Berne (Switzerland). In 2013 René Burri rediscovers his colour photos. He puts a new selection of colour photos together for”Impossible Reminiscences” (Phaidon, 2013) and his exhibition “René Burri – Doppelleben” (René Burri – Double Life) which will be presented at the Museum für Gestaltung in Zurich and the OstLicht Gallery in Vienna the following year.
In July 2013 René Burri establishes his own foundation in Switzerland. It is now housed in the Musée de l’Elysée in Lausanne. In September 2014, René Burri opens his last exhibition, “Mouvement” in Paris, at the Maison Européenne de la Photographie. It features a large number of unpublished photos for which he creates triptychs in black-and-white and colour, around the ‘image-movement’ theme. René Burri passed away at the age of 81 on October, 2014.
Under the curatorship of Marc Donnadieu and Mélanie Bétrisey, the Musée de l‘Elysée offers, from January to May 2020, a new retrospective of all of his work entitled „René Burri, the explosion of sight“.
“René Burri was always driven by an irrepressible zest for life and a thirst for discovering the universe, but especially by an acute awareness of the ebb and flow of things, a tenacious desire to understand the workings of the world, and the certainty of then being able to share his experiences and his analyses with his peers. Two parallel approaches can be distinguished in René Burri: on the one hand the composition, the structure and the visual impact are of indisputable economy, precision and legibility, conferring on his work a symbolic character, universal and almost eternal; on the other, each sign, each shape, each frame within the image confers an original and personal perspective on what is portrayed. The uniqueness of Burri’s visual universe, whether in response to a commission or for more personal work, whether in black-and-white or in colour, is founded on the complementarity between these two approaches, their superposition and their osmosis, perhaps. His photographs also hold the page or the picture rails of a gallery like no others and have the unique power to reveal each situation to us in a single photogram.”
Marc Donnadieu
Co-curator with Mélanie Bétrisey of the exhibition at the Musée de l’Elysée, Lausanne (excerpt from the catalogue “René Burri, Explosion of Sight”, Musée de l’Elysée Lausanne/Scheidegger & Spiess)
“After I left the photography class, in which all we did was photograph coffee cups under the light, I had to chase after my images. How to position the device when everything was moving? When people walked, when everything galloped in front of me? I shouted at them to Stay still! This lasted until I started moving myself, until I managed to swim with the tide. Then, when I did manage it, the action was taking place on the other side of the street! Snaps are like taxis in the rush hour – if one isn’t fast enough, someone else will get them first.”
-René Burri
René Burri (1933-2014, Ch)
René Burri studied at the School of Applied Arts in his native city of Zurich, Switzerland. From 1953 to 1955 he worked as a documentary film-maker and began to use a Leica while doing his military service. Burri became an associate of Magnum in 1955 and received international attention for one of his first reportages, on deaf-mute children, «Touch of Music for the Deaf», published in Life magazine.
In 1956 he traveled throughout Europe and the Middle East, and then went to Latin America, where he made a series on the gauchos that was published by Du magazine in 1959. It was also for this Swiss periodical that he photographed artists such as Picasso, Giacometti and Le Corbusier. He became a full member of Magnum in 1959, and started work on his book Die Deutschen, published in Switzerland in 1962, and by Robert Delpire the following year with the title Les Allemands. In 1963, while working in Cuba, he photographed Ernesto ‚Che‘ Guevara during an interview by an American journalist. His images of the famous revolutionary with his cigar appeared around the world. Burri participated in the creation of Magnum Films in 1965, and afterwards spent six months in China, where he made the film The Two Faces of China produced by the BBC. He opened the Magnum Gallery in Paris in 1962, while continuing his activities as a photographer; at the same time he made collages and drawings.
In 1998 Burri won the Dr Erich Salomon Prize from the German Association of Photography. A big retrospective of his work was held in 2004-2005 at the Maison Européenne de la Photographie in Paris and toured many other European museums.In 2011 René Burri receives the Swiss Press Photo award in the Lifetime Achievement category at Berne (Switzerland). In 2013 René Burri rediscovers his colour photos. He puts a new selection of colour photos together for”Impossible Reminiscences” (Phaidon, 2013) and his exhibition “René Burri – Doppelleben” (René Burri – Double Life) which will be presented at the Museum für Gestaltung in Zurich and the OstLicht Gallery in Vienna the following year.
In July 2013 René Burri establishes his own foundation in Switzerland. It is now housed in the Musée de l’Elysée in Lausanne. In September 2014, René Burri opens his last exhibition, “Mouvement” in Paris, at the Maison Européenne de la Photographie. It features a large number of unpublished photos for which he creates triptychs in black-and-white and colour, around the ‘image-movement’ theme. René Burri passed away at the age of 81 on October, 2014.
Under the curatorship of Marc Donnadieu and Mélanie Bétrisey, the Musée de l‘Elysée offers, from January to May 2020, a new retrospective of all of his work entitled „René Burri, the explosion of sight“.