New Photography 2023

Featuring work by seven artists who explore the spatial, social, and historical undercurrents of Lagos.

Words by  

MoMa

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Amanda Iheme, Old Secretariat – Stagnation – 12, from “The Way of Life,” 2018. Inkjet print. 40 x 60 inches. Courtesy of the artist. © Amanda Iheme.

The Museum of Modern Art announces New Photography 2023: Kelani Abass, Akinbode Akinbiyi, Yagazie Emezi, Amanda Iheme, Abraham Oghobase, Karl Ohiri, Logo Oluwamuyiwa. On view from May 28 through September 16, 2023, the exhibition explores the photographic work of seven artists, all at various stages in their careers, who are united by their critical use of photographic forms and their ties to the artistic scene in the port city of Lagos (Èkó), Nigeria. This is the latest edition of MoMA’s celebrated New Photography series and will mark its return as a gallery presentation after five years. New Photography 2023 marks the first time any of these photographers will present their work at MoMA and is the first group exhibition in MoMA’s history to engage the work of living West African photographers.

Abraham Oghobase, Untitled 01, from “Constructed Realities” installation, 2019–2022. 10 pieces of printed silk chiffon layered on inkjet prints. 25 1⁄2 x 21 1⁄2 inches. Courtesy of the artist. © Abraham Oghobase.


 In our interconnected world, photographic images are crucial. No longer primarily a means of recording surroundings, pictures have become central to how experiences are made and shared. Foregrounding the sociality of the image, New Photography 2023 applies pressure to the notion of the photograph as a document. The seven international artists featured in this exhibition plumb the depths of the photographic medium in order to make space for more nuanced forms of perception and encounter. Each maintains ties to the fluid art scene flourishing in the Nigerian port city of Lagos (Èkó). One of the most populous cities on the African continent, Lagos, which means “lakes,” was named in the 1400s by Portuguese slave traders for their country’s coastal city of the same name. 

Karl Ohiri, Untitled, from “The Archive of Becoming,” 2015–ongoing. Inkjet print. 8 x 10 inches. Courtesy of the artist. © Karl Ohiri.


 Interrogating forms of visual representation dominated by the Global North, some of the artists here render highly recognizable urban structures and spaces anew through formal experimentation and poetic rumination. Others chronicle the personal experiences at the heart of collective political action, bringing intimacy to scenes often made spectacular. Together their works engage the image at different stages of its “social life”—as a site of creation, circulation, degradation, and inventive redeployment. They mine photographic undercurrents to attend to the psychological traumas and possibilities embedded in physical structures, spatial sites, and historical figures. 

Kelani Abass, Unfolding Layers 6, from “Casing History,” 2021. Letterpress type-case and digital print. 19 11/16 x 23 5⁄8 x 1 9/16. Courtesy of the artist. © Kelani Abass.

Since the program began in 1985, New Photography has introduced MoMA audiences to work by more than 150 artists from around the world. Launching the next phase of the series, New Photography 2023 will be the first in a sequence of exhibitions to emerge from specific art scenes across the globe. Following the cues of the featured artists, the show takes Lagos—the largest city in Nigeria and one of the most populous cities on the African continent—as its starting point. The seven international artists featured in the exhibition apply pressure to the idea of “photograph as document” by interrogating varying forms of visual representation. Many of the artists take scenes of everyday life in Lagos as their subject, rendering new visual expressions of the city through formal experimentation and poetic compositions, or by chronicling personal accounts at the heart of political action.Others engage archival photographs to reveal the psychological traumas and possibilities embedded in physical structures, spatial sites, and historical figures.

Logo Oluwamuyiwa, Oil Wonders II, from “Monochrome Lagos,” 2018.Inkjet print. 36 x 24 inches. Courtesy of the artist. © Logo Oluwamuyiwa.

“In a world where global systems of relation are a given, photographic images occupy a crucial position. No longer is the photograph solely a means of recording our surroundings, it has become a central prism through which lived experience is made and shared,” says Onabanjo. “New Photography 2023 unites the work of seven artists who plumb the depths of the photographic medium, and mine its spatial, social, and historical undercurrents in order to make space for more nuanced forms of perception and encounter.” Collectively, the works and approaches of Abass, Akinbiyi, Emezi, Iheme, Oghobase, Ohiri, and Oluwamuyiwa contribute to a global conversation about the role of photography in societal narratives.

The Return of This Long-Running Photography Exhibition Series Presents the Work of Kelani Abass, Akinbode Akinbiyi, Yagazie Emezi, Amanda Iheme, Abraham Oghobase, Karl Ohiri, and Logo Oluwamuyiwa Oluwamuyiwa contribute to a global conversation about the role of photography in societal narratives.

In addition to the exhibition presentation, Onabanjo is organizing a Photography Portfolio Review and Critical Workshop through C-MAP Africa in collaboration with The Nlele Institute (TNI), a Pan-African, autonomous nonprofit organization focusing on lens-based media. The program will take place from October 31 through November 2, 2022, at Angels and Muse (5 Sumbo Jibowu St, Ikoyi 101233, Lagos) during Art X Lagos, and is generously supported by MoMA’s International Council.

Included artists: Kelani Abass (b. 1979) lives and works in Lagos. Akinbode Akinbiyi (b. 1946) lives and works in Berlin. Yagazie Emezi (b. 1989) lives and works in Lagos. Amanda Iheme (b. 1992) lives and works in Lagos. Abraham Oghobase (b. 1979) lives and works in Toronto. Karl Ohiri (b. 1983) lives and works in London. Logo Oluwamuyiwa (b. 1990) lives and works in Lagos.

New Photography 2023 is organized by Oluremi C. Onabanjo, Associate Curator, Department of Photography, with the assistance of Kaitlin Booher, Beaumont and Nancy Newhall Curatorial Fellow, Department of Photography.
May 28, 2023 – September 16, 2023
The Museum of Modern Art
New York

https://www.moma.org/calendar/exhibitions/5525

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New Photography 2023

Featuring work by seven artists who explore the spatial, social, and historical undercurrents of Lagos.

Words by  

MoMa

Save
Unsave
Featuring work by seven artists who explore the spatial, social, and historical undercurrents of Lagos.
Amanda Iheme, Old Secretariat – Stagnation – 12, from “The Way of Life,” 2018. Inkjet print. 40 x 60 inches. Courtesy of the artist. © Amanda Iheme.

The Museum of Modern Art announces New Photography 2023: Kelani Abass, Akinbode Akinbiyi, Yagazie Emezi, Amanda Iheme, Abraham Oghobase, Karl Ohiri, Logo Oluwamuyiwa. On view from May 28 through September 16, 2023, the exhibition explores the photographic work of seven artists, all at various stages in their careers, who are united by their critical use of photographic forms and their ties to the artistic scene in the port city of Lagos (Èkó), Nigeria. This is the latest edition of MoMA’s celebrated New Photography series and will mark its return as a gallery presentation after five years. New Photography 2023 marks the first time any of these photographers will present their work at MoMA and is the first group exhibition in MoMA’s history to engage the work of living West African photographers.

Abraham Oghobase, Untitled 01, from “Constructed Realities” installation, 2019–2022. 10 pieces of printed silk chiffon layered on inkjet prints. 25 1⁄2 x 21 1⁄2 inches. Courtesy of the artist. © Abraham Oghobase.


 In our interconnected world, photographic images are crucial. No longer primarily a means of recording surroundings, pictures have become central to how experiences are made and shared. Foregrounding the sociality of the image, New Photography 2023 applies pressure to the notion of the photograph as a document. The seven international artists featured in this exhibition plumb the depths of the photographic medium in order to make space for more nuanced forms of perception and encounter. Each maintains ties to the fluid art scene flourishing in the Nigerian port city of Lagos (Èkó). One of the most populous cities on the African continent, Lagos, which means “lakes,” was named in the 1400s by Portuguese slave traders for their country’s coastal city of the same name. 

Karl Ohiri, Untitled, from “The Archive of Becoming,” 2015–ongoing. Inkjet print. 8 x 10 inches. Courtesy of the artist. © Karl Ohiri.


 Interrogating forms of visual representation dominated by the Global North, some of the artists here render highly recognizable urban structures and spaces anew through formal experimentation and poetic rumination. Others chronicle the personal experiences at the heart of collective political action, bringing intimacy to scenes often made spectacular. Together their works engage the image at different stages of its “social life”—as a site of creation, circulation, degradation, and inventive redeployment. They mine photographic undercurrents to attend to the psychological traumas and possibilities embedded in physical structures, spatial sites, and historical figures. 

Kelani Abass, Unfolding Layers 6, from “Casing History,” 2021. Letterpress type-case and digital print. 19 11/16 x 23 5⁄8 x 1 9/16. Courtesy of the artist. © Kelani Abass.

Since the program began in 1985, New Photography has introduced MoMA audiences to work by more than 150 artists from around the world. Launching the next phase of the series, New Photography 2023 will be the first in a sequence of exhibitions to emerge from specific art scenes across the globe. Following the cues of the featured artists, the show takes Lagos—the largest city in Nigeria and one of the most populous cities on the African continent—as its starting point. The seven international artists featured in the exhibition apply pressure to the idea of “photograph as document” by interrogating varying forms of visual representation. Many of the artists take scenes of everyday life in Lagos as their subject, rendering new visual expressions of the city through formal experimentation and poetic compositions, or by chronicling personal accounts at the heart of political action.Others engage archival photographs to reveal the psychological traumas and possibilities embedded in physical structures, spatial sites, and historical figures.

Logo Oluwamuyiwa, Oil Wonders II, from “Monochrome Lagos,” 2018.Inkjet print. 36 x 24 inches. Courtesy of the artist. © Logo Oluwamuyiwa.

“In a world where global systems of relation are a given, photographic images occupy a crucial position. No longer is the photograph solely a means of recording our surroundings, it has become a central prism through which lived experience is made and shared,” says Onabanjo. “New Photography 2023 unites the work of seven artists who plumb the depths of the photographic medium, and mine its spatial, social, and historical undercurrents in order to make space for more nuanced forms of perception and encounter.” Collectively, the works and approaches of Abass, Akinbiyi, Emezi, Iheme, Oghobase, Ohiri, and Oluwamuyiwa contribute to a global conversation about the role of photography in societal narratives.

The Return of This Long-Running Photography Exhibition Series Presents the Work of Kelani Abass, Akinbode Akinbiyi, Yagazie Emezi, Amanda Iheme, Abraham Oghobase, Karl Ohiri, and Logo Oluwamuyiwa Oluwamuyiwa contribute to a global conversation about the role of photography in societal narratives.

In addition to the exhibition presentation, Onabanjo is organizing a Photography Portfolio Review and Critical Workshop through C-MAP Africa in collaboration with The Nlele Institute (TNI), a Pan-African, autonomous nonprofit organization focusing on lens-based media. The program will take place from October 31 through November 2, 2022, at Angels and Muse (5 Sumbo Jibowu St, Ikoyi 101233, Lagos) during Art X Lagos, and is generously supported by MoMA’s International Council.

Included artists: Kelani Abass (b. 1979) lives and works in Lagos. Akinbode Akinbiyi (b. 1946) lives and works in Berlin. Yagazie Emezi (b. 1989) lives and works in Lagos. Amanda Iheme (b. 1992) lives and works in Lagos. Abraham Oghobase (b. 1979) lives and works in Toronto. Karl Ohiri (b. 1983) lives and works in London. Logo Oluwamuyiwa (b. 1990) lives and works in Lagos.

New Photography 2023 is organized by Oluremi C. Onabanjo, Associate Curator, Department of Photography, with the assistance of Kaitlin Booher, Beaumont and Nancy Newhall Curatorial Fellow, Department of Photography.
May 28, 2023 – September 16, 2023
The Museum of Modern Art
New York

https://www.moma.org/calendar/exhibitions/5525

Save
Unsave

New Photography 2023

Featuring work by seven artists who explore the spatial, social, and historical undercurrents of Lagos.

Words by

MoMa

New Photography 2023
Amanda Iheme, Old Secretariat – Stagnation – 12, from “The Way of Life,” 2018. Inkjet print. 40 x 60 inches. Courtesy of the artist. © Amanda Iheme.

The Museum of Modern Art announces New Photography 2023: Kelani Abass, Akinbode Akinbiyi, Yagazie Emezi, Amanda Iheme, Abraham Oghobase, Karl Ohiri, Logo Oluwamuyiwa. On view from May 28 through September 16, 2023, the exhibition explores the photographic work of seven artists, all at various stages in their careers, who are united by their critical use of photographic forms and their ties to the artistic scene in the port city of Lagos (Èkó), Nigeria. This is the latest edition of MoMA’s celebrated New Photography series and will mark its return as a gallery presentation after five years. New Photography 2023 marks the first time any of these photographers will present their work at MoMA and is the first group exhibition in MoMA’s history to engage the work of living West African photographers.

Abraham Oghobase, Untitled 01, from “Constructed Realities” installation, 2019–2022. 10 pieces of printed silk chiffon layered on inkjet prints. 25 1⁄2 x 21 1⁄2 inches. Courtesy of the artist. © Abraham Oghobase.


 In our interconnected world, photographic images are crucial. No longer primarily a means of recording surroundings, pictures have become central to how experiences are made and shared. Foregrounding the sociality of the image, New Photography 2023 applies pressure to the notion of the photograph as a document. The seven international artists featured in this exhibition plumb the depths of the photographic medium in order to make space for more nuanced forms of perception and encounter. Each maintains ties to the fluid art scene flourishing in the Nigerian port city of Lagos (Èkó). One of the most populous cities on the African continent, Lagos, which means “lakes,” was named in the 1400s by Portuguese slave traders for their country’s coastal city of the same name. 

Karl Ohiri, Untitled, from “The Archive of Becoming,” 2015–ongoing. Inkjet print. 8 x 10 inches. Courtesy of the artist. © Karl Ohiri.


 Interrogating forms of visual representation dominated by the Global North, some of the artists here render highly recognizable urban structures and spaces anew through formal experimentation and poetic rumination. Others chronicle the personal experiences at the heart of collective political action, bringing intimacy to scenes often made spectacular. Together their works engage the image at different stages of its “social life”—as a site of creation, circulation, degradation, and inventive redeployment. They mine photographic undercurrents to attend to the psychological traumas and possibilities embedded in physical structures, spatial sites, and historical figures. 

Kelani Abass, Unfolding Layers 6, from “Casing History,” 2021. Letterpress type-case and digital print. 19 11/16 x 23 5⁄8 x 1 9/16. Courtesy of the artist. © Kelani Abass.

Since the program began in 1985, New Photography has introduced MoMA audiences to work by more than 150 artists from around the world. Launching the next phase of the series, New Photography 2023 will be the first in a sequence of exhibitions to emerge from specific art scenes across the globe. Following the cues of the featured artists, the show takes Lagos—the largest city in Nigeria and one of the most populous cities on the African continent—as its starting point. The seven international artists featured in the exhibition apply pressure to the idea of “photograph as document” by interrogating varying forms of visual representation. Many of the artists take scenes of everyday life in Lagos as their subject, rendering new visual expressions of the city through formal experimentation and poetic compositions, or by chronicling personal accounts at the heart of political action.Others engage archival photographs to reveal the psychological traumas and possibilities embedded in physical structures, spatial sites, and historical figures.

Logo Oluwamuyiwa, Oil Wonders II, from “Monochrome Lagos,” 2018.Inkjet print. 36 x 24 inches. Courtesy of the artist. © Logo Oluwamuyiwa.

“In a world where global systems of relation are a given, photographic images occupy a crucial position. No longer is the photograph solely a means of recording our surroundings, it has become a central prism through which lived experience is made and shared,” says Onabanjo. “New Photography 2023 unites the work of seven artists who plumb the depths of the photographic medium, and mine its spatial, social, and historical undercurrents in order to make space for more nuanced forms of perception and encounter.” Collectively, the works and approaches of Abass, Akinbiyi, Emezi, Iheme, Oghobase, Ohiri, and Oluwamuyiwa contribute to a global conversation about the role of photography in societal narratives.

The Return of This Long-Running Photography Exhibition Series Presents the Work of Kelani Abass, Akinbode Akinbiyi, Yagazie Emezi, Amanda Iheme, Abraham Oghobase, Karl Ohiri, and Logo Oluwamuyiwa Oluwamuyiwa contribute to a global conversation about the role of photography in societal narratives.

In addition to the exhibition presentation, Onabanjo is organizing a Photography Portfolio Review and Critical Workshop through C-MAP Africa in collaboration with The Nlele Institute (TNI), a Pan-African, autonomous nonprofit organization focusing on lens-based media. The program will take place from October 31 through November 2, 2022, at Angels and Muse (5 Sumbo Jibowu St, Ikoyi 101233, Lagos) during Art X Lagos, and is generously supported by MoMA’s International Council.

Included artists: Kelani Abass (b. 1979) lives and works in Lagos. Akinbode Akinbiyi (b. 1946) lives and works in Berlin. Yagazie Emezi (b. 1989) lives and works in Lagos. Amanda Iheme (b. 1992) lives and works in Lagos. Abraham Oghobase (b. 1979) lives and works in Toronto. Karl Ohiri (b. 1983) lives and works in London. Logo Oluwamuyiwa (b. 1990) lives and works in Lagos.

New Photography 2023 is organized by Oluremi C. Onabanjo, Associate Curator, Department of Photography, with the assistance of Kaitlin Booher, Beaumont and Nancy Newhall Curatorial Fellow, Department of Photography.
May 28, 2023 – September 16, 2023
The Museum of Modern Art
New York

https://www.moma.org/calendar/exhibitions/5525

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Unsave
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