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Ricardo Guixà: These photographs are the result of a research process initiated in 2005. The images were created by applying a high voltage current directly on the photosensitive material to be later positivized on baryta paper or by contact on cyanotype.
Consequently, the process is entirely analogue. Each representation is a unique and unrepeatable fractal image that I control to create portraits of people and flowers, a metaphor for the functioning of the real in the different levels of its existence, from the greatest to the smallest.
This work arises from my interest in scientific photography of the invisible and its ability to show a more complex and fascinating reality than we can see at a glance. This allows me to address, through plastic creation, the questions about the issues and basic philosophies that arise from a conscious life.
Ricardo Guixà: These photographs are the result of a research process initiated in 2005. The images were created by applying a high voltage current directly on the photosensitive material to be later positivized on baryta paper or by contact on cyanotype.
Consequently, the process is entirely analogue. Each representation is a unique and unrepeatable fractal image that I control to create portraits of people and flowers, a metaphor for the functioning of the real in the different levels of its existence, from the greatest to the smallest.
This work arises from my interest in scientific photography of the invisible and its ability to show a more complex and fascinating reality than we can see at a glance. This allows me to address, through plastic creation, the questions about the issues and basic philosophies that arise from a conscious life.
Ricardo Guixà: These photographs are the result of a research process initiated in 2005. The images were created by applying a high voltage current directly on the photosensitive material to be later positivized on baryta paper or by contact on cyanotype.
Consequently, the process is entirely analogue. Each representation is a unique and unrepeatable fractal image that I control to create portraits of people and flowers, a metaphor for the functioning of the real in the different levels of its existence, from the greatest to the smallest.
This work arises from my interest in scientific photography of the invisible and its ability to show a more complex and fascinating reality than we can see at a glance. This allows me to address, through plastic creation, the questions about the issues and basic philosophies that arise from a conscious life.