Ghost Ships and Tides

The coastline of South Wales in the UK has a concealed history. A history of tragedy and death.

Words by  

Peter Britton

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© Peter Britton

The treacherous waters of the Bristol Channel have long been navigated by waterborne vessels, and on many a gale driven night or fog-laden morning, many of these vessels have foundered on rocks unseen. This work investigates the history of these shipwrecks. The work also inspects the landscape that caused these catastrophes, particularly Tusker Rock and the coastline of South Wales.

The work will be on show in Swansea National Waterfront Museum for three months from January 23, 2022

© Peter Britton

Tusker Rock is a submerged reef that sits in the middle of the Bristol Channel. The 500m rock is only visible at low tide and is a notorious hazard for ships. As such, it is scattered with maritime skeletal remains. The rock and the shipwreck remnants were photographed via both film and digital processes (5x4, DSLR and Drone), and from these images, installation pieces were created using gelatine glass cyanotypes. The work was recently showcased in the great hall of the Westgate Hotel in Newport in South Wales. It included an introduction to the project through an audio/visual narrative, innovative glass cyanotype installations, tunnels of large format imagery, an audio installation, and the premiere of a tri-screen short video piece.

© Peter Britton


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Whilst landscape is the driving force and the main visual factor behind this project, the work centres around people. The people who lost their lives. The people who saved the lives of those shipwrecked. People are the most important things that we have in life. Connections that we make in life and understanding when something is good are underlying driving forces behind our decisions. This work looks of the people who have lost their lives at sea, in particular in the treacherous waters of the Bristol Channel. These people sailed on ships and boats and had an enormous impact on our land's industry and economic makeup. This work pays homage to the people who, on black, stormy nights, floated to their salty doom. This work is a reminder of how treacherous our seas and oceans are. It is a reminder that eventually the seas and oceans, the landscape, nature, and the Earth will one day once again regain control.

© Peter Britton

Fragile

We, as humans, do not have control. Our actions are slowly breaking down both our well-being and the environment. And this project is a reminder of how fragile we are within our watery landscape. Today, lives are saved every day by the RNLI. Founded as the Royal National Institution for the Preservation of Lives and Property from Shipwreck in 1824 but changed to the Royal National Lifeboat Institution in 1854, the RNLI has saved lives at sea for nearly 200 years. In that time, they have saved over 140,000 lives. RNLI Porthcawl is situated in South Wales and was a huge help during the making of this work. In 1860, the newly formed charity, the Royal National Lifeboat Institution, allocated a lifeboat to the port town of Porthcawl. Before this time, rescue at sea was carried out by local boatmen and crews of nearby vessels.

© Peter Britton


This work is a visual story of a treacherous history. A tale of foundered ships. A story of submerged doom. A story of pirates. A story of pillars of rock that smashed wood and bent metal.  

© Peter Britton

Imagine

Imagine standing on Tusker Rock in the dead of night, as the waves wash all around you; your clothes are heavy and soaked. Rain and gale-force winds pummel you from every direction. You are freezing to death, and the water rises… Imagine.

It was 1882. It was the year that I died. I was killed by a rock. I was killed by a reef. I was killed by the sea. I was swamped by waves and water, and under I went into the flow and pull of the great tide.

I left behind two beautiful souls.
I left behind another soul, in whose presence I rejoice.

The night I died, the wind was high, and the waves were wild. A storm blew in from the south. We lost our way. I couldn't see the bow of the boat. Waves lashed at my face; rain-soaked my skin and drenched my clothes. The sea roiled in a seething mass of foamy spume. And the boat struck the reef. We hit Tusker Rock.

The boat groaned. I was thrown forward; my chest hit hard a cleat. And I fell from the boat. I landed hard on something sharp and dark. The rock. It was beneath me. Blood poured from my arms, legs, and hands; the rock so razor-sharp. The boat boomed against the black stone. It creaked and tore as the waves pounded it against the reef. I got to my feet, and I clambered away from its hulking bulk; I was afraid of being crushed. The wind and the waves were everywhere. They became my world. The wind howled around my ears, and I could not hear. The waves roared around my body, and I was so cold that I could not feel. I slipped, tripped, slithered and slid across the razor rocks beneath me. With every fall, the rock opened my skin and I bled red, red, red. I heard the boat groan again as it was wrenched from the rock and swept away. I knew not what to do. I heard the screams of my crewmates. The dark and wind and the waves were my world.

And the waters rose.
I stood upon the rock only to be knocked over, over, over and over again. The waves tried to wash me into the sea. I clung on with wrecked hands to the rocks, all the while the sea tried to drag me out. My knees tore; I felt bone meet rock. Two hard surfaces compete with one another for grip. All was heavy. Heavy clothes. Heavy waves. Heavy wind. My heart was so heavy, so heavy with the weight of doom that loomed overhead. So I pulled myself up, I pulled up my collar, and I faced the cold, on my own. The rock mocked me beneath my heavy feet. And around me, my crewmates, my friends, were dead and drowning.

And the waters rose.
And again, a wave knocked me from my feet. The rock vanished from beneath me. There was nothing on which I could stand. In the water, I was thrown around the ocean like a piece of driftwood. The salt water burned my eyes. The sea filled my mouth. I couldn't breathe. No breath. The rock that had killed me was nowhere to be found. I had nothing on which to stand. I was engulfed by waves, torn by wind. I struggled to stay afloat. My salty tears mixed with the salty sea; a tiny part of me merged with the fury of the ocean. And under I went.

And the waters rose.
I reached up with my hands, and they breached the surface. I felt air on my fingertips. The cold brine seethed around my body. I breathed, I inhaled, but it was not air that I breathed. I breathed water, but fish I was not. I was a man alone in the sea, and I breathed water. Submerged, I coughed; the water expelled from my lungs. And I breathed again. Saltwater ravaged my lungs, my body, my mind, my brain. I was taken by the waves. In my mind, I saw…

His face; my boy. Her face; my girl. And her face; her face.

And all I wanted was to be out of the sea. The rain fell like a sad song, and in that moment, the future did not exist. The only souls I saw were underwater ghosts. Stuttering candles extinguished by the sea. Memories of old crashed like waves on the shore of my mind.

Life was a memory, and then it was nothing.


© Peter Britton

© Peter Britton

© Peter Britton
Save
Unsave

Ghost Ships and Tides

The coastline of South Wales in the UK has a concealed history. A history of tragedy and death.

Words by  

Peter Britton

Save
Unsave
The coastline of South Wales in the UK has a concealed history. A history of tragedy and death.
© Peter Britton

The treacherous waters of the Bristol Channel have long been navigated by waterborne vessels, and on many a gale driven night or fog-laden morning, many of these vessels have foundered on rocks unseen. This work investigates the history of these shipwrecks. The work also inspects the landscape that caused these catastrophes, particularly Tusker Rock and the coastline of South Wales.

The work will be on show in Swansea National Waterfront Museum for three months from January 23, 2022

© Peter Britton

Tusker Rock is a submerged reef that sits in the middle of the Bristol Channel. The 500m rock is only visible at low tide and is a notorious hazard for ships. As such, it is scattered with maritime skeletal remains. The rock and the shipwreck remnants were photographed via both film and digital processes (5x4, DSLR and Drone), and from these images, installation pieces were created using gelatine glass cyanotypes. The work was recently showcased in the great hall of the Westgate Hotel in Newport in South Wales. It included an introduction to the project through an audio/visual narrative, innovative glass cyanotype installations, tunnels of large format imagery, an audio installation, and the premiere of a tri-screen short video piece.

© Peter Britton


Whilst landscape is the driving force and the main visual factor behind this project, the work centres around people. The people who lost their lives. The people who saved the lives of those shipwrecked. People are the most important things that we have in life. Connections that we make in life and understanding when something is good are underlying driving forces behind our decisions. This work looks of the people who have lost their lives at sea, in particular in the treacherous waters of the Bristol Channel. These people sailed on ships and boats and had an enormous impact on our land's industry and economic makeup. This work pays homage to the people who, on black, stormy nights, floated to their salty doom. This work is a reminder of how treacherous our seas and oceans are. It is a reminder that eventually the seas and oceans, the landscape, nature, and the Earth will one day once again regain control.

© Peter Britton

Fragile

We, as humans, do not have control. Our actions are slowly breaking down both our well-being and the environment. And this project is a reminder of how fragile we are within our watery landscape. Today, lives are saved every day by the RNLI. Founded as the Royal National Institution for the Preservation of Lives and Property from Shipwreck in 1824 but changed to the Royal National Lifeboat Institution in 1854, the RNLI has saved lives at sea for nearly 200 years. In that time, they have saved over 140,000 lives. RNLI Porthcawl is situated in South Wales and was a huge help during the making of this work. In 1860, the newly formed charity, the Royal National Lifeboat Institution, allocated a lifeboat to the port town of Porthcawl. Before this time, rescue at sea was carried out by local boatmen and crews of nearby vessels.

© Peter Britton


This work is a visual story of a treacherous history. A tale of foundered ships. A story of submerged doom. A story of pirates. A story of pillars of rock that smashed wood and bent metal.  

© Peter Britton

Imagine

Imagine standing on Tusker Rock in the dead of night, as the waves wash all around you; your clothes are heavy and soaked. Rain and gale-force winds pummel you from every direction. You are freezing to death, and the water rises… Imagine.

It was 1882. It was the year that I died. I was killed by a rock. I was killed by a reef. I was killed by the sea. I was swamped by waves and water, and under I went into the flow and pull of the great tide.

I left behind two beautiful souls.
I left behind another soul, in whose presence I rejoice.

The night I died, the wind was high, and the waves were wild. A storm blew in from the south. We lost our way. I couldn't see the bow of the boat. Waves lashed at my face; rain-soaked my skin and drenched my clothes. The sea roiled in a seething mass of foamy spume. And the boat struck the reef. We hit Tusker Rock.

The boat groaned. I was thrown forward; my chest hit hard a cleat. And I fell from the boat. I landed hard on something sharp and dark. The rock. It was beneath me. Blood poured from my arms, legs, and hands; the rock so razor-sharp. The boat boomed against the black stone. It creaked and tore as the waves pounded it against the reef. I got to my feet, and I clambered away from its hulking bulk; I was afraid of being crushed. The wind and the waves were everywhere. They became my world. The wind howled around my ears, and I could not hear. The waves roared around my body, and I was so cold that I could not feel. I slipped, tripped, slithered and slid across the razor rocks beneath me. With every fall, the rock opened my skin and I bled red, red, red. I heard the boat groan again as it was wrenched from the rock and swept away. I knew not what to do. I heard the screams of my crewmates. The dark and wind and the waves were my world.

And the waters rose.
I stood upon the rock only to be knocked over, over, over and over again. The waves tried to wash me into the sea. I clung on with wrecked hands to the rocks, all the while the sea tried to drag me out. My knees tore; I felt bone meet rock. Two hard surfaces compete with one another for grip. All was heavy. Heavy clothes. Heavy waves. Heavy wind. My heart was so heavy, so heavy with the weight of doom that loomed overhead. So I pulled myself up, I pulled up my collar, and I faced the cold, on my own. The rock mocked me beneath my heavy feet. And around me, my crewmates, my friends, were dead and drowning.

And the waters rose.
And again, a wave knocked me from my feet. The rock vanished from beneath me. There was nothing on which I could stand. In the water, I was thrown around the ocean like a piece of driftwood. The salt water burned my eyes. The sea filled my mouth. I couldn't breathe. No breath. The rock that had killed me was nowhere to be found. I had nothing on which to stand. I was engulfed by waves, torn by wind. I struggled to stay afloat. My salty tears mixed with the salty sea; a tiny part of me merged with the fury of the ocean. And under I went.

And the waters rose.
I reached up with my hands, and they breached the surface. I felt air on my fingertips. The cold brine seethed around my body. I breathed, I inhaled, but it was not air that I breathed. I breathed water, but fish I was not. I was a man alone in the sea, and I breathed water. Submerged, I coughed; the water expelled from my lungs. And I breathed again. Saltwater ravaged my lungs, my body, my mind, my brain. I was taken by the waves. In my mind, I saw…

His face; my boy. Her face; my girl. And her face; her face.

And all I wanted was to be out of the sea. The rain fell like a sad song, and in that moment, the future did not exist. The only souls I saw were underwater ghosts. Stuttering candles extinguished by the sea. Memories of old crashed like waves on the shore of my mind.

Life was a memory, and then it was nothing.


© Peter Britton

© Peter Britton

© Peter Britton
Save
Unsave

Ghost Ships and Tides

The coastline of South Wales in the UK has a concealed history. A history of tragedy and death.

Words by

Peter Britton

Ghost Ships and Tides
© Peter Britton

The treacherous waters of the Bristol Channel have long been navigated by waterborne vessels, and on many a gale driven night or fog-laden morning, many of these vessels have foundered on rocks unseen. This work investigates the history of these shipwrecks. The work also inspects the landscape that caused these catastrophes, particularly Tusker Rock and the coastline of South Wales.

The work will be on show in Swansea National Waterfront Museum for three months from January 23, 2022

© Peter Britton

Tusker Rock is a submerged reef that sits in the middle of the Bristol Channel. The 500m rock is only visible at low tide and is a notorious hazard for ships. As such, it is scattered with maritime skeletal remains. The rock and the shipwreck remnants were photographed via both film and digital processes (5x4, DSLR and Drone), and from these images, installation pieces were created using gelatine glass cyanotypes. The work was recently showcased in the great hall of the Westgate Hotel in Newport in South Wales. It included an introduction to the project through an audio/visual narrative, innovative glass cyanotype installations, tunnels of large format imagery, an audio installation, and the premiere of a tri-screen short video piece.

© Peter Britton


Whilst landscape is the driving force and the main visual factor behind this project, the work centres around people. The people who lost their lives. The people who saved the lives of those shipwrecked. People are the most important things that we have in life. Connections that we make in life and understanding when something is good are underlying driving forces behind our decisions. This work looks of the people who have lost their lives at sea, in particular in the treacherous waters of the Bristol Channel. These people sailed on ships and boats and had an enormous impact on our land's industry and economic makeup. This work pays homage to the people who, on black, stormy nights, floated to their salty doom. This work is a reminder of how treacherous our seas and oceans are. It is a reminder that eventually the seas and oceans, the landscape, nature, and the Earth will one day once again regain control.

© Peter Britton

Fragile

We, as humans, do not have control. Our actions are slowly breaking down both our well-being and the environment. And this project is a reminder of how fragile we are within our watery landscape. Today, lives are saved every day by the RNLI. Founded as the Royal National Institution for the Preservation of Lives and Property from Shipwreck in 1824 but changed to the Royal National Lifeboat Institution in 1854, the RNLI has saved lives at sea for nearly 200 years. In that time, they have saved over 140,000 lives. RNLI Porthcawl is situated in South Wales and was a huge help during the making of this work. In 1860, the newly formed charity, the Royal National Lifeboat Institution, allocated a lifeboat to the port town of Porthcawl. Before this time, rescue at sea was carried out by local boatmen and crews of nearby vessels.

© Peter Britton


This work is a visual story of a treacherous history. A tale of foundered ships. A story of submerged doom. A story of pirates. A story of pillars of rock that smashed wood and bent metal.  

© Peter Britton

Imagine

Imagine standing on Tusker Rock in the dead of night, as the waves wash all around you; your clothes are heavy and soaked. Rain and gale-force winds pummel you from every direction. You are freezing to death, and the water rises… Imagine.

It was 1882. It was the year that I died. I was killed by a rock. I was killed by a reef. I was killed by the sea. I was swamped by waves and water, and under I went into the flow and pull of the great tide.

I left behind two beautiful souls.
I left behind another soul, in whose presence I rejoice.

The night I died, the wind was high, and the waves were wild. A storm blew in from the south. We lost our way. I couldn't see the bow of the boat. Waves lashed at my face; rain-soaked my skin and drenched my clothes. The sea roiled in a seething mass of foamy spume. And the boat struck the reef. We hit Tusker Rock.

The boat groaned. I was thrown forward; my chest hit hard a cleat. And I fell from the boat. I landed hard on something sharp and dark. The rock. It was beneath me. Blood poured from my arms, legs, and hands; the rock so razor-sharp. The boat boomed against the black stone. It creaked and tore as the waves pounded it against the reef. I got to my feet, and I clambered away from its hulking bulk; I was afraid of being crushed. The wind and the waves were everywhere. They became my world. The wind howled around my ears, and I could not hear. The waves roared around my body, and I was so cold that I could not feel. I slipped, tripped, slithered and slid across the razor rocks beneath me. With every fall, the rock opened my skin and I bled red, red, red. I heard the boat groan again as it was wrenched from the rock and swept away. I knew not what to do. I heard the screams of my crewmates. The dark and wind and the waves were my world.

And the waters rose.
I stood upon the rock only to be knocked over, over, over and over again. The waves tried to wash me into the sea. I clung on with wrecked hands to the rocks, all the while the sea tried to drag me out. My knees tore; I felt bone meet rock. Two hard surfaces compete with one another for grip. All was heavy. Heavy clothes. Heavy waves. Heavy wind. My heart was so heavy, so heavy with the weight of doom that loomed overhead. So I pulled myself up, I pulled up my collar, and I faced the cold, on my own. The rock mocked me beneath my heavy feet. And around me, my crewmates, my friends, were dead and drowning.

And the waters rose.
And again, a wave knocked me from my feet. The rock vanished from beneath me. There was nothing on which I could stand. In the water, I was thrown around the ocean like a piece of driftwood. The salt water burned my eyes. The sea filled my mouth. I couldn't breathe. No breath. The rock that had killed me was nowhere to be found. I had nothing on which to stand. I was engulfed by waves, torn by wind. I struggled to stay afloat. My salty tears mixed with the salty sea; a tiny part of me merged with the fury of the ocean. And under I went.

And the waters rose.
I reached up with my hands, and they breached the surface. I felt air on my fingertips. The cold brine seethed around my body. I breathed, I inhaled, but it was not air that I breathed. I breathed water, but fish I was not. I was a man alone in the sea, and I breathed water. Submerged, I coughed; the water expelled from my lungs. And I breathed again. Saltwater ravaged my lungs, my body, my mind, my brain. I was taken by the waves. In my mind, I saw…

His face; my boy. Her face; my girl. And her face; her face.

And all I wanted was to be out of the sea. The rain fell like a sad song, and in that moment, the future did not exist. The only souls I saw were underwater ghosts. Stuttering candles extinguished by the sea. Memories of old crashed like waves on the shore of my mind.

Life was a memory, and then it was nothing.


© Peter Britton

© Peter Britton

© Peter Britton
Save
Unsave
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