Cindy Sherman Anti Fashion

For almost 50 years, the American artist Cindy Sherman (*1954) has been making fashion and its depiction a theme of her work.

Words by  

Deichtorhallen

Save
Unsave
Cindy Sherman, Untitled #462, 2007/2008 Private Collection Europe © Cindy Sherman

For almost 50 years, the American artist Cindy Sherman (*1954) has been making fashion and its depiction a theme of her work. She uses her numerous commissions from magazines such as Vogue and Harper’s Bazaar as well as her close collaborations with famous designers as a constant source of inspiration.

Cindy Sherman, Untitled #602, 2019 Gilles Renaud Collection © Cindy Sherman

Sherman’s interest in the fashion world shows a subversive attitude toward what it represents. Through humor and staging, her pictures become parodies of fashion photography: they show figures that are anything but desirable and thus contradict all conventions of haute couture and the usual ideas of beauty.

Cindy Sherman. Untitled #588. 2016/2018. © Cindy Sherman. Courtesy the artist and Hauser & Wirth

Whether Sherman portrays misfits, partygoers, clowns, reality show protagonists, or carnivalesque characters, they are always victims of norms of beauty and behavioral patterns. With their barely concealed traces of cosmetic surgery and their gaudy outfits, her older women show a desperate striving for youth.

Cindy Sherman, Untitled #133, 1984 Staatsgalerie Stuttgart © Cindy Sherman

Sherman’s photographs are also a commentary on the issue of ageing in our society and the possibilities of digital and medical beautification. At the same time, however, they show how violence, cruelty, and aggression are also at play beneath the glossy surface of the fashion industry. Fashion is the starting point of the artist’s critical questions about identity, gender, stereotypes, and age. Her wide range of characters demonstrates the artificiality and mutability of identity, which more than ever seems selectable, (self-)constructed, and fluid.

Deichtorhallen
Hamburg, Germany
October 7, 2023 | January 28, 2024
www.deichtorhallen.de/en/ausstellung/cindy-sherman-anti-fashion

The exhibition is being organized in cooperation with the Staatsgalerie Stuttgart and was curated by Dr. Alessandra Nappo, Staatsgalerie Stuttgart.

Payment Failed

Hey there. We tried to charge your card but, something went wrong. Please update your payment method below to continue reading Artdoc Magazine.
Update Payment Method
Have a question? Contact Support
Save
Unsave

Cindy Sherman Anti Fashion

For almost 50 years, the American artist Cindy Sherman (*1954) has been making fashion and its depiction a theme of her work.

Words by  

Deichtorhallen

Save
Unsave
For almost 50 years, the American artist Cindy Sherman (*1954) has been making fashion and its depiction a theme of her work.
Cindy Sherman, Untitled #462, 2007/2008 Private Collection Europe © Cindy Sherman

For almost 50 years, the American artist Cindy Sherman (*1954) has been making fashion and its depiction a theme of her work. She uses her numerous commissions from magazines such as Vogue and Harper’s Bazaar as well as her close collaborations with famous designers as a constant source of inspiration.

Cindy Sherman, Untitled #602, 2019 Gilles Renaud Collection © Cindy Sherman

Sherman’s interest in the fashion world shows a subversive attitude toward what it represents. Through humor and staging, her pictures become parodies of fashion photography: they show figures that are anything but desirable and thus contradict all conventions of haute couture and the usual ideas of beauty.

Cindy Sherman. Untitled #588. 2016/2018. © Cindy Sherman. Courtesy the artist and Hauser & Wirth

Whether Sherman portrays misfits, partygoers, clowns, reality show protagonists, or carnivalesque characters, they are always victims of norms of beauty and behavioral patterns. With their barely concealed traces of cosmetic surgery and their gaudy outfits, her older women show a desperate striving for youth.

Cindy Sherman, Untitled #133, 1984 Staatsgalerie Stuttgart © Cindy Sherman

Sherman’s photographs are also a commentary on the issue of ageing in our society and the possibilities of digital and medical beautification. At the same time, however, they show how violence, cruelty, and aggression are also at play beneath the glossy surface of the fashion industry. Fashion is the starting point of the artist’s critical questions about identity, gender, stereotypes, and age. Her wide range of characters demonstrates the artificiality and mutability of identity, which more than ever seems selectable, (self-)constructed, and fluid.

Deichtorhallen
Hamburg, Germany
October 7, 2023 | January 28, 2024
www.deichtorhallen.de/en/ausstellung/cindy-sherman-anti-fashion

The exhibition is being organized in cooperation with the Staatsgalerie Stuttgart and was curated by Dr. Alessandra Nappo, Staatsgalerie Stuttgart.
Save
Unsave

Cindy Sherman Anti Fashion

For almost 50 years, the American artist Cindy Sherman (*1954) has been making fashion and its depiction a theme of her work.

Words by

Deichtorhallen

Cindy Sherman Anti Fashion
Cindy Sherman, Untitled #462, 2007/2008 Private Collection Europe © Cindy Sherman

For almost 50 years, the American artist Cindy Sherman (*1954) has been making fashion and its depiction a theme of her work. She uses her numerous commissions from magazines such as Vogue and Harper’s Bazaar as well as her close collaborations with famous designers as a constant source of inspiration.

Cindy Sherman, Untitled #602, 2019 Gilles Renaud Collection © Cindy Sherman

Sherman’s interest in the fashion world shows a subversive attitude toward what it represents. Through humor and staging, her pictures become parodies of fashion photography: they show figures that are anything but desirable and thus contradict all conventions of haute couture and the usual ideas of beauty.

Cindy Sherman. Untitled #588. 2016/2018. © Cindy Sherman. Courtesy the artist and Hauser & Wirth

Whether Sherman portrays misfits, partygoers, clowns, reality show protagonists, or carnivalesque characters, they are always victims of norms of beauty and behavioral patterns. With their barely concealed traces of cosmetic surgery and their gaudy outfits, her older women show a desperate striving for youth.

Cindy Sherman, Untitled #133, 1984 Staatsgalerie Stuttgart © Cindy Sherman

Sherman’s photographs are also a commentary on the issue of ageing in our society and the possibilities of digital and medical beautification. At the same time, however, they show how violence, cruelty, and aggression are also at play beneath the glossy surface of the fashion industry. Fashion is the starting point of the artist’s critical questions about identity, gender, stereotypes, and age. Her wide range of characters demonstrates the artificiality and mutability of identity, which more than ever seems selectable, (self-)constructed, and fluid.

Deichtorhallen
Hamburg, Germany
October 7, 2023 | January 28, 2024
www.deichtorhallen.de/en/ausstellung/cindy-sherman-anti-fashion

The exhibition is being organized in cooperation with the Staatsgalerie Stuttgart and was curated by Dr. Alessandra Nappo, Staatsgalerie Stuttgart.
Save
Unsave
By clicking “Accept All Cookies”, you agree to the storing of cookies on your device to enhance site navigation, analyze site usage, and assist in our marketing efforts. View our Privacy Policy for more information.