The series Kutho is inspired by a Burmese concept of merit carry out by Buddhists on a ritual that involves covering relics with gold leaf. Leaving a gold mark is exclusive to male devotees for merit-making towards better karma.
Women, in the guise of an impure status, are forbidden to approach. Religion and spirituality are two sides of the same coin that sometimes play antagonistic roles. All over the kingdoms of Indochina, in a similar way, monks and nuns are other topics to see the place of women in Religion nowadays.
To go beyond persistent stereotypes, I think that liberation of the soul is an endless work in progress. I care about how an offering affirms the idea of the next life and empowers us by being used as a tool for that purpose. Gold and Religion have an ancient relationship.
The series talks about Power associated with Religion and the relationship between the visible and not visible, cult and occult, and parallels between universes. I use the same leaf to seal my memory with the gold light, which grace I cannot access and post a question about the duality of human nature on those cultural orders that are such assimilated that not seen.
The series Kutho is inspired by a Burmese concept of merit carry out by Buddhists on a ritual that involves covering relics with gold leaf. Leaving a gold mark is exclusive to male devotees for merit-making towards better karma.
Women, in the guise of an impure status, are forbidden to approach. Religion and spirituality are two sides of the same coin that sometimes play antagonistic roles. All over the kingdoms of Indochina, in a similar way, monks and nuns are other topics to see the place of women in Religion nowadays.
To go beyond persistent stereotypes, I think that liberation of the soul is an endless work in progress. I care about how an offering affirms the idea of the next life and empowers us by being used as a tool for that purpose. Gold and Religion have an ancient relationship.
The series talks about Power associated with Religion and the relationship between the visible and not visible, cult and occult, and parallels between universes. I use the same leaf to seal my memory with the gold light, which grace I cannot access and post a question about the duality of human nature on those cultural orders that are such assimilated that not seen.
The series Kutho is inspired by a Burmese concept of merit carry out by Buddhists on a ritual that involves covering relics with gold leaf. Leaving a gold mark is exclusive to male devotees for merit-making towards better karma.
Women, in the guise of an impure status, are forbidden to approach. Religion and spirituality are two sides of the same coin that sometimes play antagonistic roles. All over the kingdoms of Indochina, in a similar way, monks and nuns are other topics to see the place of women in Religion nowadays.
To go beyond persistent stereotypes, I think that liberation of the soul is an endless work in progress. I care about how an offering affirms the idea of the next life and empowers us by being used as a tool for that purpose. Gold and Religion have an ancient relationship.
The series talks about Power associated with Religion and the relationship between the visible and not visible, cult and occult, and parallels between universes. I use the same leaf to seal my memory with the gold light, which grace I cannot access and post a question about the duality of human nature on those cultural orders that are such assimilated that not seen.